Review - McFarlane Movie Maniacs Chucky and Tiffany

Bride of Chucky; wicked movie, full of late 90's camp mixed with a healthy amount of earnest creativity and blood drenched fun. I love the colorful direction by Ronny Yu. You can't really knock a movie with onscreen murderdoll intercourse, can you? It was a fucking gigantic film, Chuckys and Tiffanys plastered on everything from temporary tattoos to WWE jumbotrons. They're still crankin' out stuff themed around Bride's branding, though now you're starting to see more from Seed and the TV series. Well, just in time for Season 2, I've decided to break out McFarlane's Movie Maniacs Bride of Chucky two-pack; starring, who else, but Charles Lee Ray and Tiffany Valentine. In doll form. 

It's hard to put on paper exactly why these figures look good, because at face value, they ain't perfect. Sculpt wise, they're more akin to statues than action figures, which was the style at the time in the wild, wild realm of disgusting nerd memorabilia. Nowadays, you got the complete opposite; endless articulation, boatloads of accessories - hell, even the box is worth keeping. Not here; and though it's dated, I've got a soft spot for dinky, simple little toys. Less is more, or whatever.

What's with all the Simpsons references? I don't know, either. 

McFarlane, as usual, rode the line somewhere between screen accuracy and caricature; there's a sort of visibly unreal, maybe even cartoony look to almost all of their retro Maniacs line, and while it can be jarring or even plain off-model, I think it was an interesting way to make toys "art". Their largely predetermined poses might limit what you're able to pull off next to hotshots like NECA or MAFEX, sure, but these perceived limitations do support the series' more unique and dynamic sculpts. Since they didn't have to worry about working in 3,214,820 pin-sized joints, they were able to focus more squarely on the look of the figures themselves - give 'em more intent, very unique on the shelf. An advantage which, I suppose, makes examples like this a bit embarrassing. These are figures that are very of their time - hell, they're older than me - so I think it's important to emphasize what made these elements of their design cool, and not just the downsides one might naturally jump to in this day and age. The technology, industry, and following of collector's items has really changed in 20~ odd years, so  it's nice to look back to where the whole horror-toy-avalanche more or less started.

Chucky's gross. Covered in a grimy brownish wash, his little rubber body has suffered all sorts of abuse; from the metallic skull glinting through the seams of his skin, to the tears and gore strewn across his blood stained outfit. Pretty easy to tell this particular version of the Good Guy's seen his fair share of action. The paint work is really well done, with a good eye for accentuating the small sculpted details McFarlane was so fond of. One thing I especially like is the glossy red used to highlight his chest's jagged scar, really stands out against his matte rubber overalls. I wish his eyes were a little more centered - certain angles give him a sort of walleyed expression - but I'll live. I'll also note the details of his themed overalls aren't good, like, at all, but considering they were most likely given either blurry screenshots or some random press photos, I can't blame 'em for forgoing little tiny hats and hammers for nondescript blobs. I can't imagine many will even notice the difference - for what it's worth, though it's very blended in, the Good Guys insignia is actually there if you squint hard enough. Points for effort.

His sculpt is a little weird at first glance, but honestly, I think it's just that this particular design of Chucky is just really hard to capture; just look as these fucking demon babies. Sometimes it's the head shape, sometimes it's the hair, whatever it is, it's always tricky; especially since he may as well look different shot-to-shot in the first place, what with the whole stapled together thing going on. Really, as I mess around with the figure, I've come to really dig it's look - I can't outright list any inaccuracies, and for all intents and purposes, he's solid. At only four points of articulation, your creativity is pretty limited, but you can get a good handful of convincing poses out of the lil' strangler. His stubby legs are stuck in a foreboding half-step, reminding me of his firey final showdown in Child's Play; unfortunately, the imbalance can make him prone to toppling over, if you aren't careful. 

The most striking part of the figure's likeness is his rusty orange rooted hair, emulating the doll's wild Jack Nicholson do. It's pretty matted out of the box - especially after a few decades - but give it a little fluff and he's lookin' fine. The wild bits held by miniature staples and stitches are particularly sick - they really went all out, all things considered. It's not like any other Maniacs had actual hair. Not counting further members or clones of the Ray family. 

The groom's sole accessory is a crosshatched stabbin' knife, pictured above; fits perfectly in his gripping right hand, so you don't gotta worry about accidentally losing it. I always appreciate that in figures. Could've gone with a couple more little bonus features, such as a gun or the Heart of Damballa amulet, but I suppose a knife about sums him up. 

But where's the bride?! Rockin' a cool shiny faux-leather jacket, miniature cloth fishnets, chain "Tiffany" pendant, and an endearing tit-tatt, Tiffany makes a punky first impression; considering she was exclusive to this two pack, I'm impressed by the amount of detail put into her design. Hiking up her skirt with an evil smile, she's even got a wedding band wrapped around her nasty dolly thigh - I don't think that was even in the movie, far as I've seen, so you gotta appreciate the creativity. The sculpt's certainly captured Tiff's twisted personality, and though it's articulation even more limited in potential than that of her husband, I think her go-to teasing pose works cool anyway. Part of me wishes she were given a more static pose, which might've brought things together a little better and offered more creativity, but I dig the unique pose.  

The wrinkles, folds and decorations of her outfit are very well done; especially her heavy jacket and goth boots, looking almost real with that aforementioned gloss. Her makeup's on point, as the kids say, complete with penciled-in beauty mark. Her tattoo looks a bit crude, though again, I assume it's a matter of what reference material was available to the team - bit of a minute detail, in 1999. That, or y'know... who cares. 

Something is a little off about her head sculpt; I think it's the amount of forehead - couple acres too many, you ask me. Her expression could be better, resting in a sort of vacant downward stare - I can't tell what they were going for with the look, and it ends up giving her no real line of sight. Maybe give her less of a forward slouch, and it could've worked better. Still, it's definitely Tiff, and features the appropriate cues seen in her comparatively uglier Bride design. Tiff's sleek blonde hair is pretty clumped up and frizzy - I'm sure she'd have something to say about that. Being thicker than Chucky's, it's naturally a lot harder to stylize to your liking; you could form it to a fitting shape if you used a rubber band to hold down her 'fro a while, but that's only if you're really after movie accuracy; the general impression is certainly there, so it's no big issue. 

Tiff came with two accessories; however, in reality, we'll make that one, because the other is what I refer to as "bullshit". It's a itty-bitty plastic cigarette, meant to be held in her gesturing left hand; thing is, it's so comically miniscule I didn't even realize it was in the box when I first opened these - so by the time I noticed, that thing had already hit the landfill weeks earlier. Oh well - smoking's bad, anyways, all that. Her other accessory is a big bottle of wine; used by Barbie herself to smash a gigantic ceiling mirror, dicing the Vegas victims gyrating beneath. What a bitch! The detail is pretty sub-par, but it's no deal breaker. Should've given her a heaping plate of cookies, too, or the Voodoo For Dummies manual. Me likey useless pack-ins.

The newlyweds, as with every Maniacs figure, came with a film appropriate poster; this one, of course, being Bridc of Chucky's memorable poster. Apparently it's a parody of Scream 2, but I'd bet the Chucky version's become much more recognizable. The poster itself is printed on very cardstock, attached to it's skeletal base via hot glue dabs. It's pretty low end, to the point of feeling extraneous, and the base itself is way too Tortured Souls for my taste. Blech. I would've preferred less of a branded display for the poster, or at least, one that somehow tied into the Bride motif. I guess it makes for a neat display, though, and I bet if you've got lots of these the posters look pretty neat next to each other. 

These guys are really sweet, simple figures - and though they may be lacking in some departments, as Tiff would be sure to point out, they're cool for big fans and casuals alike. I really wish they made the lovely couple's creepy little semi-son, Glen, who's only actual action figure is... atrocious; sadly, the line itself came to close the same year as Glen's debut, meaning no nonbinary nightmares. There is, however, a standard Chucky themed around Child's Play 2 who came out more or less at the same time as this set. I recently scooped him up, and he's on the way, so I might just do a review to round off the company's Chucky gallery - not counting their 12" variation, because I enjoy having money.

'Till next time, folks... we belong dead.